LED Video Volumes Any world. One stage.
Cineva builds LED volumes for film and television work, including walls, ceilings, processors, scaffold, rigging, playback, and crew.
Every volume is planned around the shot: camera position, lensing, brightness, colour, stage size, schedule, and how the floor actually needs to work. We are not just dropping off panels. We are helping build a shooting environment.
The goal is simple: a volume that arrives organized, installs cleanly, talks properly to camera, and lets production focus on the frame. From prep to first unit, Cineva brings the equipment, crew, and on-set fluency to make LED feel like part of the production, not another problem to manage.
Common questions
Before you spec the wall.
What pixel pitch do you stock?
1.9 to 7mm, indoor and outdoor. The right pitch is driven by your closest camera position: tighter pitch for handheld work near the wall, coarser for wider setups or high-ambient exterior shoots. We spec it on a walkthrough so you're not paying for resolution the lens can't see.
What processing platforms do you use?
Brompton Tessera. It's the Emmy Award-winning processor behind The Mandalorian, House of the Dragon, and virtually every high-end virtual production LED wall running today. Brompton handles color accuracy, HDR, and camera sync at a level nothing else matches on set, which is why it became the industry standard. If you're shooting in-camera VFX or need a wall that disappears on screen, there's no substitute.
Can you work with Genlock and external sync?
Yes, fully. We support every industry-standard sync platform: wired, wireless, timecode, Tri-level, Black Burst. If your camera package or control room uses it, we lock to it. No tearing, no drift, no surprises on camera.
How long does it take to build a volume?
Depends on scale. A small volume is up in a day. A full virtual production stage runs 2 to 3 days of pre-light plus a load-in shift. We build the schedule around your shooting days so the wall is ready when camera is.