From call sheet to camera-ready.

LED Video Volumes

Cineva builds LED volumes from the ground up — walls, ceilings, LED processor, scaffold, rigging. Every build is film-grade: sized to the shot, calibrated for the camera system you're running, and prepped on the bench before it ships. We don't rent panels and wish you luck. We build the stage, test it, and hand you a volume that's ready for first unit.

Driving Plates

Cineva builds playback systems for car-on-stage work, matched to your LED wall, camera system, and production workflow.

Brightness is balanced for the wall. Colour is tuned for camera. Sync is handled properly, so the plate supports the rig instead of fighting it. When the AD calls action, the playback needs to be ready, stable, and in step with the shot.

No guesswork at the monitor. No chasing the look on the day. Just a driving-plate workflow built around the way production needs to shoot.

Server Playback

Cineva runs media servers for plates, environment loops, multi-wall playback, and synced LED content.

We build the playback workflow around the shot, from ingest to output, with a DIT-compatible colour pipeline and the control needed to keep content moving cleanly on set.

Files are loaded. Cues are set. Timecode is locked. Walls stay in sync. If the content needs a tweak, a colour adjustment, a timing change, or a different version, we can make that change at the server and keep the day moving.

When the DP asks for a different sky, it should be a recall, not a rebuild.

Specialty Lighting

Cineva supports lighting departments, art departments, and camera-led builds with specialty fixtures that are ready for set.

Moving lights, LED effects fixtures, strobes, Astera tubes, practicals, dimming, control, and premium flicker-free lamps are selected for the look, the camera, and the pace of production.

From window effects and lightning looks to tube builds, music-video setups, weather effects, and camera-safe practicals, we bring the equipment, control, and crew to build the effect cleanly, adjust quickly, and keep it working when the camera rolls.

Frame Remapping

Cineva makes it possible for multiple synced cameras to shoot the same LED wall while each camera sees the content built for its own angle.

That matters in virtual production because the wall is usually correct for one tracked camera. Add another camera, and the perspective can fall apart. Frame remapping solves that by sending each camera its own view, so the background holds up across coverage.

It can also support green or blue frame workflows, letting production visualize the environment on set while still capturing clean elements for post.

Cineva sets up the camera relationships, sync, processor workflow, and content mapping, then proves it before production is relying on it.

Turnkey Support

Cineva brings the equipment, crew, labour, and pre-shoot planning into one coordinated delivery.

Tell us the shot, the stage, and the schedule. We help scope the system, plan the crew, organize the order, and build the workflow around how the day needs to run.

For production, that means one contact, one PO, one manifest, and one team responsible for getting it there and making it work. Less chasing. Less handoff. A cleaner path from planning to camera.